2011-02-23
Fuji have been in the “wet” minilab business since the dawn of time. But now their “dry” labs are setting a new standard, I thought it was time to find out more by spending a few hours with the tech guys at Fujifilm’s UK HQ in Bedford.
As well as the obvious advantages that come from getting rid of the hot soup of chemicals that form the “wet” component of a conventional minilab, there is also the fact that we no longer have to worry about light. Keeping photo paper in the dark, changing rolls inside a black bag and struggling to fix paper jams without opening the machine become a thing of the past.
Fujifilm launched their first dry lab, the DL400, in early 2008. This machine was a direct result of the 2006 “Global Alliance in Photofinishing” between Fujifilm and Noritsu with the underlying print engine and chassis of the DL400 (and, indeed, all of the Fuji DL4xx series) being based on the Noritsu M300 which was unleashed on an unsuspecting world six months earlier in 2007.